She’s Back! Priscilla, Queen of the Highlands: “Rise of Priscilla”

Priscilla: Queen of the Highlands is perhaps the most anticipated event on the StFX campus. The show, organized and produced by Dr. Chris Frazer (who some may also recognized as C. Leah Cruz or Joannie Cash), began in February 2005 when Frazer was appointed as 2SLGBTQ+ faculty advisor at StFX, following a number of incidents of homophobic assault on campus. Frazer, alongside Dr. Nancy Forestell and Dr. Clare Fawcett, was applying for a grant to facilitate a workshop centred around 2SLGBTQ+ experiences in rural areas, and needed to include an event. The group decided on a drag show, contacted the Imperial and Sovereign Court of Nova Scotia (similar to a rotary club for drag queens, Frazer explains), and put on a sold-out show in the KMC conference rooms.

This first show, Frazer claims, was “completely amateur,” relying on a Discman and a single set of speakers for music. However, over the past 15 years, the show has grown tremendously—transforming into a full production with professional light and sound, and moving from one conference room to two, and then to the bigger stage in the Bloomfield Centre MacKay room. Since the first show, Priscilla has raised thousands of dollars for X-Pride and other 2SLGBTQ+ focused organizations. “It’s always been a way of raising money and helping to create community,” shares Frazer. The show has played a big part in creating queer space in Antigonish, which Frazer says there “just isn’t much of.”

The show means a lot to a lot of people, including the performers. Jason Spurell, who performs as Rouge Fatale and has been part of Priscilla since the very beginning, shares that the audience at Priscilla is one of their favourites of all time. “The response, the happiness, the pride they have. Not a lot outweigh it.” In general, they note that rural crowds are most often more excited than urban ones, given that drag shows tend to decrease in frequency the further you get from a city-centre. One of Spurell’s favourite moments from the show was inviting their cousin (who used to attend StFX), up on stage— “I would bring her up on stage with me and get the whole audience to call her by her childhood nickname. She hate/loved it!”

Frazer says that Spurell’s sentiment is echoed by a number of other queens as well: “It’s their favourite show.” In fact, legend has it that Priscilla always coincides with the night that Antigonish gets its biggest storm or blizzard of the year—but the queens, and the audience, never seem bothered by the harsh weather. “There have been times where we were probably the only thing open in Antigonish—which we shouldn’t have been—and the queens had no business driving down from Halifax, but they did anyway. It says a lot about the show.”

Joannie Cash performs "Glad to be Gay" at Priscilla 2019

Lil Red in performance at Priscilla 2019

Rhea Listique performing a Beyonce inspired number at Priscilla 2019

Donatella Daddy in performance at Priscilla 2019

Farah Moan in performance at Priscilla 2019

Rhett Slutler perming an Elvis inspired number at Priscilla 2019

C. Leah. Cruz in performance at Priscilla 2019

Photos by Adelaide Strickland

While the show has only grown more and more successful, they’ve also run into difficulties financially. Tickets always sell out, yet the rising costs of space and security over the years have driven ticket prices up. Last year, for the first time, the show didn’t break even. “We’re not a money making venture, but it feels like we’re being forced to move that way,” says Frazer. “I’m really resisting that, because that’s not the point of the show … It has to be accessible, financially and physically.” Despite struggle, however, support from the community is keeping things going. Frazer recognized Impact Sound as a key supporter; the company has consistently provided a discount for their services, given the charitable nature of the show. The audience, of course, also plays a big role in the show’s continued success.

There are a number of ways that students and community members can get involved with and support the show. Ticket sales, according to Frazer, are always a good time— “it’s really rewarding to see the enthusiasm for that show build up as the tickets start to sell.” Proceeds from ticket sales and donations made at the show this year will be directed to Rainbow Railroad, an organization helping 2SLGBTQ+ refugees escape persecution and violence. Organizers are looking for support selling tickets in advance and at the door, as well as with the set-up and break-down of the production. Frazer also encourages people to think about performing— “it’s always been a part of our tradition that we encourage people to get on the stage” —in drag, or out of drag. The show welcomes Kings, Queens, genderfuck performers, burlesque performers, and pretty much anyone looking for a moment in the spotlight. Of course, for those who may not be all that keen on getting on stage, one of the best ways to support the show is to buy a ticket, and show up. “Just come, be yourself, and be fabulous,” says Frazer.

This year, Priscilla will be held on January 31st in the MacKay room. Tickets will be on sale starting January 22 at the X-Pride table in the Bloomfield lobby, and will cost $12 in advance, $15 at the door. Anyone looking to get involved in the show should contact Chris Frazer either in person or via email at cfrazer@stfx.ca.

Priscilla is part of X-Pride’s Pride Month at StFX. Other events include Amateur Drag Night, a sex-ed workshop by Venus Envy, a queer music night at the Inn, Sex Toy Bingo, and Rainbow Party. Details for these events can be found on Instagram @xpridesociety or on facebook in the X-Pride 2019-20 group.

Amherst Wrens

Amherst, in Spring the wrens

Gather together in this place,

Dear Aunt Jane used to point them out

Simple things made her happy,

Though she had not a tooth in her face!

We’d leave Dundonald Street

And walk down Hickman,

‘til we got to Victoria Street

It was all very peaceful then!

We’d go to buy bread

Can milk and cookies,

At a store called Margolian’s

We’d also buy goodies!

When we got home we’d have some tea

With six spoons of sugar just for me,

My aunt was 80 and I was 10,

I remember it was a wonderful time when

The wrens would gather in this place

And my aunt had a toothless but benevolent face!

Recap of “Contextualizing The Anti-69 Movement”

This year, the Canadian government released a commemorative coin, alongside other celebrations, to mark fifty years since the supposed decriminalization of homosexuality. Whether or not those celebrations were justified, however, is another story. On October 8, 2019, members of the StFX community gathered to discuss the history behind the celebrations and debate their legitimacy at this year’s first talk in the GSDA lecture series: “Contextualizing the Anti-69 Movement.” The discussion was facilitated by Dr. Chris Frazer, a local 2SLGBTQIA+ activist and professor in the StFX Department of History.

The supposed decriminalization of homosexuality was part of the Criminal Law Amendment Act (also known as the Omnibus Bill), passed in 1969. Alongside changes to two anti-gay laws (buggery and gross indecency), the bill also laid changes to abortion access, and included The White Paper – eliminating the Indian Act and all treaties held between Canadians and Indigenous peoples. The bill was part of the Liberal’s call for a “just society” under Pierre Trudeau, and the government talked a big game about what it would accomplish. Frazer, who was ten years old when the bill was passed, shared that in reality, “nothing happened in 1969.”

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A 1971 demonstration opposing the limitations of the 1969 Omnibus Bill - Jerald Moldenhauer

Essentially, the government realized that they couldn’t police private spaces, and decided to waive the enforcement of certain laws, rather than change them. Buggery and gross indecency laws were not repealed, but would not be enforced when the concerned acts took place between two adults in private. Many might be familiar with a famous statement of Pierre Trudeau’s, in which he claims that “the state has no place in the bedrooms of the nation.” While this is true in a number of contexts, Frazer suggests that there are certain cases in which the state should intervene – in instances of sexual and gendered violence, for example. It is those situations, regardless, that should cause the government greater worry than men who sleep with men, or women who sleep with women. Trudeau’s statement also only applied to certain kinds of sexual activity; the government would still intervene if more than two people were found to be involved in sexual relations.

In Frazer’s opinion, the alleged decriminalization in 1969 and celebrations in 2019 share one big similarity: they are both political acts, done in the interest of political success rather than social good. The 1969 bill provided a false sense of security to the 2SLGBTQIA+ community – leading many to come out in an environment that was just as hostile as it was before, and where they were unable to access protection. In fact, the number of gay people arrested immediately following the release of the bill increased dramatically.

2019 Commemorative Coin - Royal Canadian Mint

The fact is, in 1969, Canada didn’t have a law prohibiting homosexuality. What they had was a number of laws that disproportionately affected 2SLGBTQIA+ individuals – including the two that were changed by the Omnibus Bill, among others. Laws prohibiting indecent acts, obscenity, gross indecency, indecent assault on a male, anal intercourse, vagrancy, nudity, and immoral theatrical performance were all enforced more frequently upon homosexual individuals. “Immoral theatrical performance” applied mainly to drag and burlesque performances, for instance. Vestuary laws were also biased against drag performers and trans individuals, as they required people to wear at least three articles of clothing that corresponded to their gender assigned at birth, and were enforced up until the early 2000s. Bawdy-house laws were used to carry out raids on bathhouses (“places of indecency”) in Montreal and Toronto for decades. Research on the bawdy house law shows that from 1968 to 2004, more than 1,300 men were charged for being in a gay bathhouse.

Of the laws detailed above, many are still in the books. Indecent acts, obscenity, nudity, immoral theatrical performance. Buggery (renamed “anal intercourse” in 1988) and vagrancy were only just repealed in 2019.

This is what passes for “decriminalization” in Canada.

Celebrating the anniversary of 1969 is not only unjustified, but serves to erase decades of 2SLGBTQIA+ activist work that has done far more for the rights of the community than the government ever has, and fails to acknowledge all those who were harmed in the aftermath of the bill. “Actual history is about the activism of our communities,” says Frazer. In present day, it’s a liability for a politician to say something homophobic during an election campaign – it didn’t used to be. That’s the result of decades of activism. Instead of celebrating the fiftieth anniversary of 1969, then, Frazer suggests celebrating the activists. The fact that Canada is failing to acknowledge their contributions is demonstrative of a deeper, underlying homophobia. “They need to be known.”

Interested in learning more? Much of the information for “Contextualizing The Anti-69 Movement” was sourced from “Anti-69 FAQ” on ActiveHistory.ca